Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Arnold Bocklin 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
70280 Angelika von einem Drachen bewacht oder Angelica und Ruggiero Arnold Bocklin Angelika von einem Drachen bewacht oder Angelica und Ruggiero Medium Oil on wood Dimensions 46 X 67 cm
66171 Angelika, von einem Drachen bewacht oder Angelica und Ruggiero Arnold Bocklin Angelika, von einem Drachen bewacht oder Angelica und Ruggiero 1873 Oil on wood 46 x 67 cm
67777 Angelika, von einem Drachen bewacht oder Angelica und Ruggiero Arnold Bocklin Angelika, von einem Drachen bewacht oder Angelica und Ruggiero 1873 Oil on wood 46 X 67 cm
66172 Astolf reitet mit dem Haupte Orills davon Arnold Bocklin Astolf reitet mit dem Haupte Orills davon 1873 Oil on canvas
40751 Centaur Fight Arnold Bocklin Centaur Fight mk156 1873 Tempera on canvas 105x195cm
23257 Centaurs' Combat (nn03) Arnold Bocklin Centaurs' Combat (nn03) 1873 Oil on canvas h105 x w195 cm h41 1/4 x w76 3/4in Kunstmuseum,Basel
94 Children Carving May Flutes Arnold Bocklin Children Carving May Flutes 1877 Oskar Reinhart Foundation, Winterthur
88204 Das Spiel der Najaden Arnold Bocklin Das Spiel der Najaden 1886(1886) Medium Oil on canvas Dimensions 151 x 176 cm (59.4 x 69.3 in) cjr
11726 Diana's Hunt Arnold Bocklin Diana's Hunt 1896 3' 3 1/4'' x 2' 7 1/2''(100 x 80 cm)
89417 Die Kapelle Arnold Bocklin Die Kapelle oil on canvas, 95 x 70 cm Date 1898(1898) cyf
98 Elysian Fields Arnold Bocklin Elysian Fields 1877 Oskar Reinhart Foundation, Winterthur
38736 Faun Whistling to Blackbird Arnold Bocklin Faun Whistling to Blackbird mk141 1863 Bayerische Staatsgemaldesammlung,Munich
84338 Im Spiel der Wellen Arnold Bocklin Im Spiel der Wellen Oil on Canvas Date 1883(1883) cyf
40773 Island of the Dead Arnold Bocklin Island of the Dead mk156 1880 Oil on wood 73.7x121.9cm
45809 Kentaur in the village smiths Arnold Bocklin Kentaur in the village smiths mk178 1888 oils on wood 80x100cm
93837 Nessus und Deianeira Arnold Bocklin Nessus und Deianeira 1898(1898) Medium oil on canvas cjr
96 Nymphs Bathing Arnold Bocklin Nymphs Bathing 1863-66 Oskar Reinhart Foundation, Winterthur
88207 Odysseus und Kalypso Arnold Bocklin Odysseus und Kalypso 1883(1883) Medium Oil on wood Dimensions 104 x 150 cm (40.9 x 59.1 in) cjr
95 Pan Amongst the Reeds Arnold Bocklin Pan Amongst the Reeds 1856-57 Oskar Reinhart Foundation, Winterthur
95181 Plague Arnold Bocklin Plague Plague, 1898, Arnold Böcklin. Tempera on wood cyf
40784 Playing in the Waves Arnold Bocklin Playing in the Waves mk156 1883 Oil on canvas 180x238cm
96451 Portrait of Anne Catherine Constance as St Catherine Arnold Bocklin Portrait of Anne Catherine Constance as St Catherine 1653(1653) Medium oil on canvas cyf
89872 Selbstportrat mit fiedelndem Tod. Arnold Bocklin Selbstportrat mit fiedelndem Tod. 1872(1872) Medium oil on canvas Dimensions 75 x 61 cm (29.5 x 24 in) cjr
56275 self portrait with death playing the fiddle Arnold Bocklin self portrait with death playing the fiddle mk247 1872,oil on canvas,30x24 in,75x61 cm,staatliche museen,alte nationalgalerie,berlin,germany
27047 Self-Portrait in his Studio Arnold Bocklin Self-Portrait in his Studio mk52 1893 Oil on canvas 120.5x80.5cm Kunstmuseum,Basle
27037 Self-Portrait with Death Playing the Violin Arnold Bocklin Self-Portrait with Death Playing the Violin mk52 1872 Oil on canvas 75x61cm Neue Nationalgalerie,Berlin
71090 silence fe la foret Arnold Bocklin silence fe la foret mk289 1896 collection particuliere
66173 Sirenen Arnold Bocklin Sirenen 1875
72550 Sirenen Arnold Bocklin Sirenen 1875 cjr
74311 Sirenen Arnold Bocklin Sirenen Date 1875 Medium Unknown Dimensions ? cm cyf
71780 Spiel der Wellen Arnold Bocklin Spiel der Wellen Spiel der Wellen, 1883. canvas, 180 x 236 cm. Neue Pinakothek, Munich.
31193 Tamara and the Demon Arnold Bocklin Tamara and the Demon mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on brown paper pasted on cardboard 66.5x50cm Tretyakov Gallery,Moscow
31194 Tamara's Dance Arnold Bocklin Tamara's Dance mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on paper 503x4cm Tretyakov Gallery,Moscow
95078 The island of life Arnold Bocklin The island of life Oil on wood Dimensions 94 x 140 cm cyf
93 The Isle of the Dead Arnold Bocklin The Isle of the Dead 1880 111 x 155 cm Kunstmuseum, Basel
31189 The Isle of the Dead Arnold Bocklin The Isle of the Dead mk72 1880
56319 the lsland of the dead Arnold Bocklin the lsland of the dead mk247 1886,oil on wood,31.5x59 in,80x150 cm,museum der bildenden kunste,leipzig,germany
91 The Sacred Wood Arnold Bocklin The Sacred Wood 1882 Kunstmuseum, Basel
31191 The Seated Demon Arnold Bocklin The Seated Demon mk72 1890 Oil on canvas 114x211cm Tretyakov Gallery,Moscow
31192 The Seated Demon Arnold Bocklin The Seated Demon mk72 1890
34013 The Waves Arnold Bocklin The Waves mk87 1883 Oil on canvas 180.3x237.5cm Munich,Bayerische Staatsgemalde sammlungen,Neue Pinakothek
21554 The Waves (mk09) Arnold Bocklin The Waves (mk09) 1883 Oil on canvas,180.3 x 237.5 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
97 Triton and Nereid Arnold Bocklin Triton and Nereid 1877 Oskar Reinhart Foundation, Winterthur
22316 Venus Genitrix (mk19) Arnold Bocklin Venus Genitrix (mk19) 1895 Oil on canvas,115 x 170 cm Kunsthaus Zurich,Zurich
96520 Villa am Meer Arnold Bocklin Villa am Meer 1878(1878) Medium oil on canvas Dimensions 110 x 160 cm cyf
92 War Arnold Bocklin War Staatliche Kunstsammlungen, Dresden
86621 Zerstortes Haus in Kehl Arnold Bocklin Zerstortes Haus in Kehl Date 1870(1870) Medium Oil on canvas Dimensions 20.5 x 35.5 cm (8.1 x 14 in) cjr
Arnold Bocklin
Swiss 1827-1901 Arnold Bocklin Locations Arnold Bocklin was born on Oct. 16, 1827, in Basel. He attended the Dusseldorf Academy (1845-1847). At this time he painted scenes of the Swiss Alps, using light effects and dramatic views subjectively to project emotional moods into the landscape. In 1848 this romantic introspection gave way to plein air (open-air) objectivity after he was influenced by Camille Corot, Eugene Delacroix, and the painters of the Barbizon school while on a trip to Paris. But after the February and June revolutions Bocklin returned to Basel with a lasting hatred and disgust for contemporary France, and he resumed painting gloomy mountain scenes. In 1850 Bocklin found his mecca in Rome, and immediately his paintings were flooded by the warm Italian sunlight. He populated the lush southern vegetation, the bright light of the Roman Campagna, and the ancient ruins with lonely shepherds, cavorting nymphs, and lusty centaurs. These mythological figures rather than the landscapes became Bocklins primary concern, and he used such themes as Pan Pursuing Syrinx (1857) to express the polarities of life: warm sunshine contrasts with cool, moist shade, and the brightness of womans spirituality contrasts with mans dark sensuality. When Bocklin returned to Basel with his Italian wife, he completed the painting which brought him fame when the king of Bavaria purchased it in 1858: Pan among the Reeds, a depiction of the Greek phallic god with whom the artist identified. He taught at the Academy of Art in Weimar from 1860 to 1862, when he returned to Rome. Called to Basel in 1866, he painted the frescoes and modeled the grotesque masks for the facade of the Basel Museum. Bocklin resided in Florence from 1874 until 1885, and this was his most active period. He continued to explore the male-female antithesis and painted religious scenes, allegories of Natures powers, and moody studies of mans fate. He ceased working with oils and began experimenting with tempera and other media to obtain a pictorial surface free of brushstrokes. Bocklin spent the next 7 years mostly in Switzerland, with occasional trips to Italy; he devoted much of his energy to designing an airplane. Following a stroke in 1892, he returned to Italy, bought a villa in Fiesole, and died there on Jan. 16, 1901. Many of his late works depict nightmares of war, plague, and death.
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